“ You can come through my door…” 19th century engraving with watercolor coloring.

Basic details:
The painter is Joseph Nash (1809-1878), the location is Postern Gate Bramshill Hants, Hampshire England. Engraving colored with watercolor from the middle of the 19th century. Signed. It depicts a love scene as the lady in love secretly invites her love. Small size (frame: 36cm×28cm), ready to hang. More information about condition: email me
More details:
A beautiful, nicely made, softly colored engraving from the middle of the 19th century. A love scene at the gate of a noble house, the lady in love secretly invites her lover through the door. Signed: Nash 1846. Small size (frame: 36cm×28cm), probably in its original frame, covered by glass. Excellent condition, ready to hang. More about condition: email me

Origin: England, 1846 by Nash.
Style and Period: #love #door #couple #invitation #antique #engraving The engraving as an option for printing dates back to 1446. During technological development, engravings played a major role in illustrating books, newspapers, and posters. Those families who could not afford an original oil painting often made copies using engravings and then prints. It was gladly given to decorate smaller rooms or as gifts. Engraving can be black-and-white, but it can also be colored or subsequently colored.
Symbolism: Gate- Belonging, justice, strength , security Horse- freedom, power, spirit The message of the painting is “ to invite the lover into my home “.
Recommended Placement: living room, entrance- hallway, bedroom, library

Purchase process

the process:

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Authenticity:

  1.  Declarations of authenticity issued by other galleries for most paintings are attached to the product when it is packaged.  Other paintings are certified by TimeCapsule Gallery.  It may also happen that the selected product does not come with a certificate of authenticity solely due to not being 100% sure about the age or the painter, etc… Of course, in these cases, I will inform you about this in advance by email at the first inquiry.

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Condition of paintings/objects:

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